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“Stealing” Locations

Stealing a location generally means you are going to get the shot without informing the local permitting bodies about it.  Namely FilmLA or California Film Commission, now while the definitive answer to this is always “NO! it’s not right” for some low budget features, music videos and commericials maybe it is.

Here’s what I mean>  I was just on a commercial where I was scouting for murals and graffiti in the Los Angeles area.  The director and agency approved a certain one in Highland Park but come the day of the shoot the director moved it to Echo Park where they had “just what he was looking for!”  Am I as the location manager going to tell the director that because he waited to long to decide he can’t have his shot?  No.  I am going to mitigate the damages, I am going to inform him that we are not permitted for that shot and if they are planning on running out there, they should do so quickly, with a small crew (preferrably 1 passanger van) and to not do anything that impedes or blocks pedestrians and the public from daily activity.

Another time the director threw in driving shots around LA at the last minute, but he wasn’t sure what he wanted (thus making a permit useless unless you ask for all of LA as your grid).  So we got a convertable, rigged it up so the DP could be in the back (buckled up) and strapped down the RED on a highhat in the backseat and drove around town.  Since everyone was in the car buckled, we had nothing hanging off the sides and we weren’t stopping traffic it went smoothly.  We drove all over LA, got the driving shots he needed and did it safely.  (I want to point out that we did have permits for this shoot and were fully insured) 

It happens all the time when you deal with creative people, they change their minds on the fly.  I am not suggesting you bypass the permit process.  FilmLA and CFC are very very film friendly and go out of their way to help you get what you need.  Permits exist so that the crew is save, the public is safe and nothing stupid happens because of the filming.  But chances are that one day you will be asked to “steal” a shot because of last minute changes, poor planning, or no money in the budget.  Just make sure if you do that you do it safely (ie. no fires or gunshots), low impact to the surrounding community (don’t block sidewalks and roads) and please know that if you are asked my local law enforcement to leave then you had best just leave. 

Frank

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Baby Jesus and Pepper Spraying Cop

We three kings of AHHH!!! My eyes!!!

Frankensense this !

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I was on a Guided Missile Destroyer on 9/11/2001

I was serving on-board the Guided Missile Destroyer, the USS McFaul DDG74, which was doing operations in the Gulf of Oman. The McFaul was tasked with carrying out Vessel Board Search Seizure (VBSS) operations to detain and search any ships suspected of carrying illegal oil, weapons or terrorists through the Gulf. I joined the Navy right out of High School from rural Louisburg, Kansas. At age 22, I had seen over twenty foreign ports, had spent my twenty-first birthday in New York City for Fleet Week and climbed the ranks to Second Class Firecontrolman in the Combat Guns (CG03) Division. I entered the Navy on September 11, 1997, Exactly four years to the exact date on my six-year enlistment. That day I was faced with the decision re-enlisting for another two years for a $30,000 tax free bonus or get out after my initial six (FYI-While in a combat zone your bonuses are tax free, Uncle Sam won’t touch it.) I had waited till the last moment to decide about my re-enlistment because I was so weary of the Navy. I absolutely hated my homeport Norfolk, Virginia (a.k.a “NoF–k, Vagina”) and that morning, I decided that if I could get a Sea Swap and head over to San Diego, California, I would sign up for that cash money bonus.

I learned at morning muster that the navy approved my sea-swap request and that my re-enlistment ceremony would be held later that morning. We held a quick and quiet ceremony in our divisional office to have me sign over another two years of my life. I vividly recall the hustle and around me because there was word of an oiler that was suspected of smuggling oil out of Iraq. We were preparing a boarding team to intercept. I had the afternoon watch in combat and passed the rest of the morning running maintenance on my system while mentally spending my $30,000 bonus.

Now remember, we were about seven hours ahead of the United States and so when the attack on the twin towers came at 9:00am EST, it was approximately suppertime for our crew. The boarding party was still on the Iraqi Vessel and I was standing watch in Combat Information Control (CIC). I operated the Close In Weapon System (CIWS). CIWS is a six-barreled Gatling gun that fires 20mm depleted uranium rounds at surface and air-targets at a rate of 75 rounds a second or 4,500 bullets a minute. This baby has a built-in Search and Track Radar system. IT ROCKS! It was my duty to watch the CIWS radar screen for any potential targets or inbound missiles to the ship. Since this never happened I recall I was most likely playing tic-tac-toe with my fellow watch stander.
It all started when one of the crypto techs came out from behind their “black curtain” to announce that a message was received. In a loud voice he told the Weapons Officer that New York had just been attacked. With the absence of a radio or television, and only minimal service for internet, word spread throughout CIC and the ship that first New York City had been attacked, and then Washington and then that New York had been nuked and was rubble. Right at the height of all this confusion, panic and fear we got word back from our team leader on the VBSS team that the crew members on the Iraqi Oiler were shouting and cheering to something going out over their radio.

The team leader asked for instructions and our Tactical Actions Officer (TAO) ordered them back to the ship. No sooner had he given the order than the sound of BONG! BONG! BONG! Came blaring through the ship for General Quarters. I waited for my relief then raced up the decks and into my gun mount. We aimed all our small arms (50’ caliber machineguns, 25mm Deck Guns) at the oiler and told them to f–k off! The captain ordered us to full steam and we were to join the main battle group and await further orders.

It was all surreal; we had only just visited New York, Boston and Baltimore last year for Fleet Week. We had family and friends there. Washington was a stone’s throw away from Norfolk, Virginia and I had friends in the fleet still serving there. No further information had been released to the crew and for two to three hours we thought the east coast had been attacked by nuclear weapons, that all the cities of our government were in rubble and that we were going straight into battle. To keep our minds and hands busy, my division was pouring out our ammo boxes around the mount getting them ready to fire and reload as necessary. That’s when the captain came on…. We were steaming at 20 knots towards GOD knows where, it was dusk and you could see nothing but the ocean and fading sun.

I don’t recall the exact words our captain used but we were essentially told that New York and Washington had been attacked by a group unknown. The towers had fallen and we were most likely now about to go to war and that this is what we had trained and volunteered for. We were to meet up with the rest or our carrier group and await further orders. The internet and telephones were secured and if we needed to check on our families we could reach the chaplain or ombudsman who could get a message out and back for us. The captain put our ship in a media blackout in anticipation of what was to come. The blackout lasted one month.
For thirty days we steamed at sea getting letters from our families about what was going on and trying to get the latest news/information from our Crypto Techs. For thirty days my entire ship was united with one common goal, “To destroy the f–kin people responsible for this!” It was all we talked about at chow, all we talked about on watch.

“Dude, do you really think you can kill someone?” “If they are a terrorist, I think so…yeah!” “What will you do if you’re on watch when we have to launch the missile?” “I will do what is asked of me.” “What if it goes off-course or kills civilians or something?” “Ours is not to reason why…ours is but to do and die.”

About a month later in October, 2001, in what was called “Enduring Freedom,” we were ordered to unload our entire payload of about ninety missiles into Afghanistan against some radical group called the Taliban. The McFaul was the second ship to fire in line and this was the initial phase of the operation. Everyone… and I mean everyone… even the poor suckers that were supposed to be on watch or in engineering, were up on deck awaiting the launching of those missiles. I remember it was nighttime and we were all lined up with five or six other destroyers awaiting the final GO. The bells and alarms RANG out, the hatch doors opened and WHOOOOSH!! the first missile ever launched in war from my ship went sailing off into the sky. I remember watching the bright orange glow as it ascended skyward. When my eyes adjusted I saw multiple other glows in the distance as the other ships had launched their payloads. We stayed there for two weeks firing missiles into the sky, close to 90 missiles were fired before we turned home.

Yeah, I remember 9/11/2001, it was not only the day our nation was attacked but the day I re-enlisted in the United States Navy… and I’m damn glad I did!

FC2 (SW) Wells

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Free Locations for ALL!!!

FREE LOCATION #1

So in support of the many blogs and websites I visit everyday such as www.videocopilot.net www.motionographer.com www.bittbox.com and many others I have decided to start giving stuff away as well.  Now since the only thing in my arsenal that is of any worth to many of you is my location photos and contacts we will start there.  So while the title does say Free Locations, I hope you realize it’s just the scouting that is free.  Silly goose!  Nothing in Los Angeles is Free.  But I hope that by giving you all the photos, contact info and details about my favorite spots it helps you out on your next production. 

I am going to start off by telling all you happy folks in Los Angeles about the number 1, numero uno film location for multiple sets and it comes with a relatively cheap price tag.  

 The Fred C. Nelles Youth Correctional Facility

11850 East Whittier Blvd.
Whittier, CA 90601   Wikipedia

This closed down facility offers up a great destination for: 

  • Prisons, jail cells, holding area, visitor center
  • Hospital rooms, Hospital waiting area, Lock-down Hospital ward, Surgery Room
  • Classrooms, Cafeteria, Gymnasium, Basketball Courts
  • Large 2 story Multi-Family homes, Tiny 2 bedroom cottages
  • Theater, Stage with up to 200 seats for performance
  • Church, Cemetery, Morgue
  • Running Track, Indoor/Outdoor Pool

This place has been in escrow now for over 3 years, it is owned by the city and they are still allowing filming on the premises.  You will most likely be required to provide a water truck in case of fire and will need to pay for a ranger (20-30$ an hour) but that is it.  They do not have a daily use fee.

PICTURES  I put all of my scouting photos on my website.  The Youth Correctional Facility is the top link on the page.  

CONTACT INFORMATION:

Adamic, Catherine
Permit Coordinator (State Buildings), California Film Commission
7080 Hollywood Blvd., Suite 900, Hollywood, CA 90028 USA
(323) 860-2960, Ext. 107 phone 1
(323) 860-2972 fax
cadamic@film.ca.gov
http://www.film.ca.gov/Permits.htm
Aycock, Thom
Film Liaison
11850 East Whittier Blvd., Whittier, CA 90601
562-266-7663 phone 1
TAycock@film.ca.gov
Dowling, Barry
Film Liaison
11850 East Whittier Blvd., Whittier, CA 90601
562-266-6603 phone 1
BDowling@film.ca.gov

GOOD LUCK!!!! I truly and honestly have given you one of the many gems in Los Angeles, this one location has served many productions for it’s ability to feature multiple sets for such a low cost.  

Frank C. Wells

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RE: Indianapolis Locations:

QUESTION:
Hi Frank,
I came across your blog because I am interested in trying to find a forest type location in Indianapolis to do a nude photo shoot in, but I have no idea where to start. I think I found something off a highway which looks like private property. How do you go about finding this stuff out, or what sort of things do you need to get a permit to shoot on private/public property? Any insight would be greatly appreciated!

ANSWER:
Hey Mia, yeah I your question is about how to track down an owner once you have found the property you like. You need to visit the website of your local County Assessors Website http://maps.indy.gov/PropertyAssessmentViewer//

State Parks are usually a good source for cheap locations but they are notoriously anti-nudity. I strongly suggest you find a private property and work out a deal with the property owner.

Plug in the cross streets of your ideal location you have found and find it on the County Assessors Map. Copy down the APN Number and submit that to your local Assessors when asking for ownership information. You will typically receive back a business name and address, use Google Search, Manta.com and Linked In to track down the property owners phone number and/or address.

Good luck, it sounds like an arduous task but it’s what you need to do to ensure your shoot doesn’t get shut down. You should probably also get a film permit from your county or Film Office but my guess is that you don’t have the 1 million dollar general liability insurance that will be required and should just deal with private property and keep your shoot small and confined.

Frank.

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